SanteMusiqueV1, Main, Exploration, bibRecord, 001219

Amusic does not mean unmusical: beat perception and synchronization ability despite pitch deafness.

Identifieur interne : 001219 ( Main/Exploration ); précédent : 001218; suivant : 001220

Amusic does not mean unmusical: beat perception and synchronization ability despite pitch deafness.

Auteurs : Jessica Phillips-Silver [Canada] ; Petri Toiviainen ; Nathalie Gosselin ; Isabelle Peretz

Source :

Cognitive neuropsychology [ 1464-0627 ] ; 2013.

RBID : pubmed:24344816

Descripteurs français

KwdFr :
- Adulte (MeSH), Femelle (MeSH), Humains (MeSH), Musique (MeSH), Perception auditive (MeSH), Perception de la hauteur tonale (MeSH), Personnes malentendantes (psychologie), Stimulation acoustique (méthodes), Troubles de la perception auditive (MeSH), Émotions (MeSH), Études cas-témoins (MeSH).
MESH :
- méthodes : Stimulation acoustique.
- psychologie : Personnes malentendantes.
- Adulte, Femelle, Humains, Musique, Perception auditive, Perception de la hauteur tonale, Troubles de la perception auditive, Émotions, Études cas-témoins.

English descriptors

KwdEn :
- Acoustic Stimulation (methods), Adult (MeSH), Auditory Perception (MeSH), Auditory Perceptual Disorders (MeSH), Case-Control Studies (MeSH), Discrimination, Psychological (MeSH), Emotions (MeSH), Female (MeSH), Humans (MeSH), Music (MeSH), Persons With Hearing Impairments (psychology), Pitch Perception (MeSH).
MESH :
- methods : Acoustic Stimulation.
- psychology : Persons With Hearing Impairments.
- Adult, Auditory Perception, Auditory Perceptual Disorders, Case-Control Studies, Discrimination, Psychological, Emotions, Female, Humans, Music, Pitch Perception.

Abstract

Pitch deafness, the most commonly known form of congenital amusia, refers to a severe deficit in musical pitch processing (i.e., melody discrimination and recognition) that can leave time processing--including rhythm, metre, and "feeling the beat"--preserved. In Experiment 1, we show that by presenting musical excerpts in nonpitched drum timbres, rather than pitched piano tones, amusics show normal metre recognition. Experiment 2 reveals that body movement influences amusics' interpretation of the beat of an ambiguous drum rhythm. Experiment 3 and a subsequent exploratory study show an ability to synchronize movement to the beat of popular dance music and potential for improvement when given a modest amount of practice. Together the present results are consistent with the idea that rhythm and beat processing are spared in pitch deafness--that is, being pitch-deaf does not mean one is beat-deaf. In the context of drum music especially, amusics can be musical.

DOI: 10.1080/02643294.2013.863183
PubMed: 24344816

Affiliations:

Canada

Links toward previous steps (curation, corpus...)

to stream Main, to step Corpus: 001070
to stream Main, to step Curation: 001070

Le document en format XML

<record><TEI><teiHeader><fileDesc><titleStmt><title xml:lang="en">Amusic does not mean unmusical: beat perception and synchronization ability despite pitch deafness.</title>
<author><name sortKey="Phillips Silver, Jessica" sort="Phillips Silver, Jessica" uniqKey="Phillips Silver J" first="Jessica" last="Phillips-Silver">Jessica Phillips-Silver</name>
<affiliation wicri:level="1"><nlm:affiliation>a International Laboratory for Brain , Music and Sound Research (BRAMS), University of Montreal , Montreal , QC , Canada.</nlm:affiliation>
<country xml:lang="fr">Canada</country>
<wicri:regionArea>a International Laboratory for Brain , Music and Sound Research (BRAMS), University of Montreal , Montreal , QC </wicri:regionArea>
<wicri:noRegion>QC </wicri:noRegion>
</affiliation>
</author>
<author><name sortKey="Toiviainen, Petri" sort="Toiviainen, Petri" uniqKey="Toiviainen P" first="Petri" last="Toiviainen">Petri Toiviainen</name>
</author>
<author><name sortKey="Gosselin, Nathalie" sort="Gosselin, Nathalie" uniqKey="Gosselin N" first="Nathalie" last="Gosselin">Nathalie Gosselin</name>
</author>
<author><name sortKey="Peretz, Isabelle" sort="Peretz, Isabelle" uniqKey="Peretz I" first="Isabelle" last="Peretz">Isabelle Peretz</name>
</author>
</titleStmt>
<publicationStmt><idno type="wicri:source">PubMed</idno>
<date when="2013">2013</date>
<idno type="RBID">pubmed:24344816</idno>
<idno type="pmid">24344816</idno>
<idno type="doi">10.1080/02643294.2013.863183</idno>
<idno type="wicri:Area/Main/Corpus">001070</idno>
<idno type="wicri:explorRef" wicri:stream="Main" wicri:step="Corpus" wicri:corpus="PubMed">001070</idno>
<idno type="wicri:Area/Main/Curation">001070</idno>
<idno type="wicri:explorRef" wicri:stream="Main" wicri:step="Curation">001070</idno>
<idno type="wicri:Area/Main/Exploration">001070</idno>
</publicationStmt>
<sourceDesc><biblStruct><analytic><title xml:lang="en">Amusic does not mean unmusical: beat perception and synchronization ability despite pitch deafness.</title>
<author><name sortKey="Phillips Silver, Jessica" sort="Phillips Silver, Jessica" uniqKey="Phillips Silver J" first="Jessica" last="Phillips-Silver">Jessica Phillips-Silver</name>
<affiliation wicri:level="1"><nlm:affiliation>a International Laboratory for Brain , Music and Sound Research (BRAMS), University of Montreal , Montreal , QC , Canada.</nlm:affiliation>
<country xml:lang="fr">Canada</country>
<wicri:regionArea>a International Laboratory for Brain , Music and Sound Research (BRAMS), University of Montreal , Montreal , QC </wicri:regionArea>
<wicri:noRegion>QC </wicri:noRegion>
</affiliation>
</author>
<author><name sortKey="Toiviainen, Petri" sort="Toiviainen, Petri" uniqKey="Toiviainen P" first="Petri" last="Toiviainen">Petri Toiviainen</name>
</author>
<author><name sortKey="Gosselin, Nathalie" sort="Gosselin, Nathalie" uniqKey="Gosselin N" first="Nathalie" last="Gosselin">Nathalie Gosselin</name>
</author>
<author><name sortKey="Peretz, Isabelle" sort="Peretz, Isabelle" uniqKey="Peretz I" first="Isabelle" last="Peretz">Isabelle Peretz</name>
</author>
</analytic>
<series><title level="j">Cognitive neuropsychology</title>
<idno type="eISSN">1464-0627</idno>
<imprint><date when="2013" type="published">2013</date>
</imprint>
</series>
</biblStruct>
</sourceDesc>
</fileDesc>
<profileDesc><textClass><keywords scheme="KwdEn" xml:lang="en"><term>Acoustic Stimulation (methods)</term>
<term>Adult (MeSH)</term>
<term>Auditory Perception (MeSH)</term>
<term>Auditory Perceptual Disorders (MeSH)</term>
<term>Case-Control Studies (MeSH)</term>
<term>Discrimination, Psychological (MeSH)</term>
<term>Emotions (MeSH)</term>
<term>Female (MeSH)</term>
<term>Humans (MeSH)</term>
<term>Music (MeSH)</term>
<term>Persons With Hearing Impairments (psychology)</term>
<term>Pitch Perception (MeSH)</term>
</keywords>
<keywords scheme="KwdFr" xml:lang="fr"><term>Adulte (MeSH)</term>
<term>Femelle (MeSH)</term>
<term>Humains (MeSH)</term>
<term>Musique (MeSH)</term>
<term>Perception auditive (MeSH)</term>
<term>Perception de la hauteur tonale (MeSH)</term>
<term>Personnes malentendantes (psychologie)</term>
<term>Stimulation acoustique (méthodes)</term>
<term>Troubles de la perception auditive (MeSH)</term>
<term>Émotions (MeSH)</term>
<term>Études cas-témoins (MeSH)</term>
</keywords>
<keywords scheme="MESH" qualifier="methods" xml:lang="en"><term>Acoustic Stimulation</term>
</keywords>
<keywords scheme="MESH" qualifier="méthodes" xml:lang="fr"><term>Stimulation acoustique</term>
</keywords>
<keywords scheme="MESH" qualifier="psychologie" xml:lang="fr"><term>Personnes malentendantes</term>
</keywords>
<keywords scheme="MESH" qualifier="psychology" xml:lang="en"><term>Persons With Hearing Impairments</term>
</keywords>
<keywords scheme="MESH" xml:lang="en"><term>Adult</term>
<term>Auditory Perception</term>
<term>Auditory Perceptual Disorders</term>
<term>Case-Control Studies</term>
<term>Discrimination, Psychological</term>
<term>Emotions</term>
<term>Female</term>
<term>Humans</term>
<term>Music</term>
<term>Pitch Perception</term>
</keywords>
<keywords scheme="MESH" xml:lang="fr"><term>Adulte</term>
<term>Femelle</term>
<term>Humains</term>
<term>Musique</term>
<term>Perception auditive</term>
<term>Perception de la hauteur tonale</term>
<term>Troubles de la perception auditive</term>
<term>Émotions</term>
<term>Études cas-témoins</term>
</keywords>
</textClass>
</profileDesc>
</teiHeader>
<front><div type="abstract" xml:lang="en">Pitch deafness, the most commonly known form of congenital amusia, refers to a severe deficit in musical pitch processing (i.e., melody discrimination and recognition) that can leave time processing--including rhythm, metre, and "feeling the beat"--preserved. In Experiment 1, we show that by presenting musical excerpts in nonpitched drum timbres, rather than pitched piano tones, amusics show normal metre recognition. Experiment 2 reveals that body movement influences amusics' interpretation of the beat of an ambiguous drum rhythm. Experiment 3 and a subsequent exploratory study show an ability to synchronize movement to the beat of popular dance music and potential for improvement when given a modest amount of practice. Together the present results are consistent with the idea that rhythm and beat processing are spared in pitch deafness--that is, being pitch-deaf does not mean one is beat-deaf. In the context of drum music especially, amusics can be musical.</div>
</front>
</TEI>
<pubmed><MedlineCitation Status="MEDLINE" Owner="NLM"><PMID Version="1">24344816</PMID>
<DateCompleted><Year>2014</Year>
<Month>04</Month>
<Day>14</Day>
</DateCompleted>
<DateRevised><Year>2019</Year>
<Month>12</Month>
<Day>10</Day>
</DateRevised>
<Article PubModel="Print"><Journal><ISSN IssnType="Electronic">1464-0627</ISSN>
<JournalIssue CitedMedium="Internet"><Volume>30</Volume>
<Issue>5</Issue>
<PubDate><Year>2013</Year>
</PubDate>
</JournalIssue>
<Title>Cognitive neuropsychology</Title>
<ISOAbbreviation>Cogn Neuropsychol</ISOAbbreviation>
</Journal>
<ArticleTitle>Amusic does not mean unmusical: beat perception and synchronization ability despite pitch deafness.</ArticleTitle>
<Pagination><MedlinePgn>311-31</MedlinePgn>
</Pagination>
<ELocationID EIdType="doi" ValidYN="Y">10.1080/02643294.2013.863183</ELocationID>
<Abstract><AbstractText>Pitch deafness, the most commonly known form of congenital amusia, refers to a severe deficit in musical pitch processing (i.e., melody discrimination and recognition) that can leave time processing--including rhythm, metre, and "feeling the beat"--preserved. In Experiment 1, we show that by presenting musical excerpts in nonpitched drum timbres, rather than pitched piano tones, amusics show normal metre recognition. Experiment 2 reveals that body movement influences amusics' interpretation of the beat of an ambiguous drum rhythm. Experiment 3 and a subsequent exploratory study show an ability to synchronize movement to the beat of popular dance music and potential for improvement when given a modest amount of practice. Together the present results are consistent with the idea that rhythm and beat processing are spared in pitch deafness--that is, being pitch-deaf does not mean one is beat-deaf. In the context of drum music especially, amusics can be musical.</AbstractText>
</Abstract>
<AuthorList CompleteYN="Y"><Author ValidYN="Y"><LastName>Phillips-Silver</LastName>
<ForeName>Jessica</ForeName>
<Initials>J</Initials>
<AffiliationInfo><Affiliation>a International Laboratory for Brain , Music and Sound Research (BRAMS), University of Montreal , Montreal , QC , Canada.</Affiliation>
</AffiliationInfo>
</Author>
<Author ValidYN="Y"><LastName>Toiviainen</LastName>
<ForeName>Petri</ForeName>
<Initials>P</Initials>
</Author>
<Author ValidYN="Y"><LastName>Gosselin</LastName>
<ForeName>Nathalie</ForeName>
<Initials>N</Initials>
</Author>
<Author ValidYN="Y"><LastName>Peretz</LastName>
<ForeName>Isabelle</ForeName>
<Initials>I</Initials>
</Author>
</AuthorList>
<Language>eng</Language>
<PublicationTypeList><PublicationType UI="D016428">Journal Article</PublicationType>
</PublicationTypeList>
</Article>
<MedlineJournalInfo><Country>England</Country>
<MedlineTA>Cogn Neuropsychol</MedlineTA>
<NlmUniqueID>8411889</NlmUniqueID>
<ISSNLinking>0264-3294</ISSNLinking>
</MedlineJournalInfo>
<SupplMeshList><SupplMeshName Type="Disease" UI="C566019">Tune Deafness</SupplMeshName>
</SupplMeshList>
<CitationSubset>IM</CitationSubset>
<MeshHeadingList><MeshHeading><DescriptorName UI="D000161" MajorTopicYN="Y">Acoustic Stimulation</DescriptorName>
<QualifierName UI="Q000379" MajorTopicYN="N">methods</QualifierName>
</MeshHeading>
<MeshHeading><DescriptorName UI="D000328" MajorTopicYN="N">Adult</DescriptorName>
</MeshHeading>
<MeshHeading><DescriptorName UI="D001307" MajorTopicYN="Y">Auditory Perception</DescriptorName>
</MeshHeading>
<MeshHeading><DescriptorName UI="D001308" MajorTopicYN="Y">Auditory Perceptual Disorders</DescriptorName>
</MeshHeading>
<MeshHeading><DescriptorName UI="D016022" MajorTopicYN="N">Case-Control Studies</DescriptorName>
</MeshHeading>
<MeshHeading><DescriptorName UI="D004192" MajorTopicYN="N">Discrimination, Psychological</DescriptorName>
</MeshHeading>
<MeshHeading><DescriptorName UI="D004644" MajorTopicYN="N">Emotions</DescriptorName>
</MeshHeading>
<MeshHeading><DescriptorName UI="D005260" MajorTopicYN="N">Female</DescriptorName>
</MeshHeading>
<MeshHeading><DescriptorName UI="D006801" MajorTopicYN="N">Humans</DescriptorName>
</MeshHeading>
<MeshHeading><DescriptorName UI="D009146" MajorTopicYN="Y">Music</DescriptorName>
</MeshHeading>
<MeshHeading><DescriptorName UI="D019986" MajorTopicYN="N">Persons With Hearing Impairments</DescriptorName>
<QualifierName UI="Q000523" MajorTopicYN="N">psychology</QualifierName>
</MeshHeading>
<MeshHeading><DescriptorName UI="D010898" MajorTopicYN="N">Pitch Perception</DescriptorName>
</MeshHeading>
</MeshHeadingList>
</MedlineCitation>
<PubmedData><History><PubMedPubDate PubStatus="entrez"><Year>2013</Year>
<Month>12</Month>
<Day>19</Day>
<Hour>6</Hour>
<Minute>0</Minute>
</PubMedPubDate>
<PubMedPubDate PubStatus="pubmed"><Year>2013</Year>
<Month>12</Month>
<Day>19</Day>
<Hour>6</Hour>
<Minute>0</Minute>
</PubMedPubDate>
<PubMedPubDate PubStatus="medline"><Year>2014</Year>
<Month>4</Month>
<Day>15</Day>
<Hour>6</Hour>
<Minute>0</Minute>
</PubMedPubDate>
</History>
<PublicationStatus>ppublish</PublicationStatus>
<ArticleIdList><ArticleId IdType="pubmed">24344816</ArticleId>
<ArticleId IdType="doi">10.1080/02643294.2013.863183</ArticleId>
</ArticleIdList>
</PubmedData>
</pubmed>
<affiliations><list><country><li>Canada</li>
</country>
</list>
<tree><noCountry><name sortKey="Gosselin, Nathalie" sort="Gosselin, Nathalie" uniqKey="Gosselin N" first="Nathalie" last="Gosselin">Nathalie Gosselin</name>
<name sortKey="Peretz, Isabelle" sort="Peretz, Isabelle" uniqKey="Peretz I" first="Isabelle" last="Peretz">Isabelle Peretz</name>
<name sortKey="Toiviainen, Petri" sort="Toiviainen, Petri" uniqKey="Toiviainen P" first="Petri" last="Toiviainen">Petri Toiviainen</name>
</noCountry>
<country name="Canada"><noRegion><name sortKey="Phillips Silver, Jessica" sort="Phillips Silver, Jessica" uniqKey="Phillips Silver J" first="Jessica" last="Phillips-Silver">Jessica Phillips-Silver</name>
</noRegion>
</country>
</tree>
</affiliations>
</record>

Pour manipuler ce document sous Unix (Dilib)

EXPLOR_STEP=$WICRI_ROOT/Sante/explor/SanteMusiqueV1/Data/Main/Exploration

HfdSelect -h $EXPLOR_STEP/biblio.hfd -nk 001219 | SxmlIndent | more

HfdSelect -h $EXPLOR_AREA/Data/Main/Exploration/biblio.hfd -nk 001219 | SxmlIndent | more

Pour mettre un lien sur cette page dans le réseau Wicri

{{Explor lien
   |wiki=    Sante
   |area=    SanteMusiqueV1
   |flux=    Main
   |étape=   Exploration
   |type=    RBID
   |clé=     pubmed:24344816
   |texte=   Amusic does not mean unmusical: beat perception and synchronization ability despite pitch deafness.
}}

Pour générer des pages wiki

HfdIndexSelect -h $EXPLOR_AREA/Data/Main/Exploration/RBID.i   -Sk "pubmed:24344816" \
       | HfdSelect -Kh $EXPLOR_AREA/Data/Main/Exploration/biblio.hfd   \
       | NlmPubMed2Wicri -a SanteMusiqueV1

This area was generated with Dilib version V0.6.38.
Data generation: Mon Mar 8 15:23:44 2021. Site generation: Mon Mar 8 15:23:58 2021

	Serveur d'exploration Santé et pratique musicale
	Attention, ce site est en cours de développement ! Attention, site généré par des moyens informatiques à partir de corpus bruts. Les informations ne sont donc pas validées.

Serveur d'exploration Santé et pratique musicale

Amusic does not mean unmusical: beat perception and synchronization ability despite pitch deafness.

Amusic does not mean unmusical: beat perception and synchronization ability despite pitch deafness.

Source :

Descripteurs français

English descriptors

Abstract

Links toward previous steps (curation, corpus...)

Le document en format XML

Pour manipuler ce document sous Unix (Dilib)

Pour mettre un lien sur cette page dans le réseau Wicri

Pour générer des pages wiki